Netflix’s horror series Chambers follows Get Out in exploring the terror of white people

As the recent documentary Horror Noire lays out, most early American horror films featuring black characters play very different for black audiences than for white ones. Traditionally, in American horror stories, people of color have been associated with a monstrous, vengeful, often magical Other that threatens white purity. As POC creators have entered the horror field to add new perspectives, though, innovative new narratives have flipped those tropes. In more recent stories, affluent white people are the sinister nightmare power that seeks to possess, corrupt, and control everyone else by stealing their bodies and maybe their souls.

Most famously, that’s the plot of Jordan Peele’s hugely successful 2017 film Get Out. The same broad…

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